English photographer and filmmaker Hannah Collins’s works treat the collective experiences of memory, history and the everyday in the modern world. She first became known for her large-scale photographs of evocative interiors and landscapes. Collins photographs can be experienced as an image and as a kind of architecture, as a two-dimensional surface and as sculpture, and at the same time reveal the artist’s interest in the archaeology of urban space, showing how the built environment bares the traces of the past and the intimations of a future. Juxtaposed with her photographs of buildings and cityscapes, there is an ongoing engagement with the still life and the beauty and interconnectedness of organic things.